GARDENING GET UP AND GO! // Thursday, April 20, 6:00 – 8:00 pm
Want to hear about our garden plan and help prepare Franklin Street Works’ three back yard beds for the new season? Get your hands dirty or just hang out on the patio for moral support while we clean out the garden beds, rake them, add fertilizer and plant the spring seeds/seedlings. Once we get the beds in tip top shape, we will gather around the picnic table to discuss next steps with garden volunteer extraordinaire Mark Nowotarski and tell stories about how gardening has enriched our lives. Complimentary regular coffee will be served and wine and beer will be available at the cafe for a discounted price of $5. Rain date Thursday, April 27th.
PWR BTTM Vinyl Listening Party with Danilo Machado //Wed. May 3, 6:00 – 8:00 pm
On the closing week of the show, we are excited to converse about Danilo Machado’s essay for the “Love Action Art Lounge” exhibition with the author and listen to some groovy music too! Like many of the artists and collectives in “Love Action Art Lounge,” the queer punk band PWR BTTM creates affirming, intentional music and spaces. Join us as we listen to their record Ugly Cherries (2015) (on real, cherry-red vinyl!) and discuss their music as it relates to Machado’s essay “PWR / Pulse / Glitter / Gunman” and to what social spaces can look like and achieve. This is a free public event, but our amazing members get a perk! You will also enjoy a complimentary glass of wine and house made (thematic) mini cherry scones. Since this is a public event too, please feel free to bring lots of friends.
Patio Wine Party and Tasting with Mary Schaffer! // Monday, June 5, 6:00 – 8:00 pm
Our Summer exhibition will be freshly installed, the weather will be warm, so what better time to enjoy our back patio, see the new show and try six of the new wines we are featuring in the cafe with a wine aficionado Mary Schaffer, former owner of Napa & Co. This free tasting will have you exploring the wines’ subtleties and receiving insights into what sort of food pairings would complement the wine. If it rains we will have the event in our cozy cafe.
Tour of the exhibition “The Work of Love, The Queer of Labor” // Wed., July 12, 6:00 – 8:00pm
In this exhibition queerness is discussed through the lens of class and vice versa. The show’s works represent a desire for liberation through critically engaged connections between class, gender and sexuality. LGBTQ identities are reviewed from the class perspective in order to re-discover political potentialities within a countercultural paradigm of queerness. While exploring queerness through the relationship with class, the exhibition interrogates the possibility of love in a class-based society, in which the difference between work, as a productive force in capitalist economy, and labor, as a condition of biological life, is almost gone. Join Creative Director Terri C Smith and a special guest presenter for a casual walkthrough of “The Work of Love, The Queer of Labor”
Member + Volunteer and Donor Appreciation Field Trip!! Visit the Brant Foundation exhibition “Animal Farm” // Sat., August 5, 2:00 – 4:00 pm followed by wine at FSW
The Brant Foundation Art Study Center will be showing Animal Farm, a group exhibition curated by artist and musician Sadie Laska. The exhibition will include works from The Brant Collection and loans from museums, galleries, and other private collections. Artists in the exhibition will include pop icons Jean Michel Basquiat and Kenny Scharf alongside younger contemporary artists whose work speaks to the state of current politics. Artists will include Joe Bradley, Sarah Braman, Katherine Bernhardt, Keith Haring, Chris Martin, Tyson Reeder, and Kenny Scharf, among others.
Franklin Street Works / 45 Franklin St. Stamford, CT 06901 http://www.franklinstreetworks.org
Curatorial Call for Exhibition Proposals: 2017
Franklin Street Works is a not-for-profit contemporary art space located 45 minutes from New York City in Stamford, Connecticut. Franklin Street Works’ mission is to manifest what is happening in contemporary art in an inclusive, professional setting. To date we have exhibited the work of more than 275 artists, curated 22 original exhibitions, and have organized over 100 programs. Franklin Street Works exhibitions have received accolades, including a two-year grant from The Andy Warhol Foundation for the Visual Arts and positive reviews in publications such as Bomb blog, Artforum online, Art Papers, Modern Painters, Daily Serving, artcritical.com, and Hyperallergic.
Each year Franklin Street Works invites guest curator(s) or curatorial team(s) to create one to two group, thematic exhibitions. We are accepting proposals for the May 13 – August 17, 2017, slot. If we receive several submissions that work with our mission, we will consider them for later time slots. Exhibitions should be group shows around a theme. We encourage you to check out past shows here:
Three exhibitions over a two-year period resulted from our last open call and included: “It Narratives: The Movement of Objects as Information” curated by Brian Droitcour and Zanna Gilbert; “It’s gonna take a lotta love,” curated by Liza Statton; and “Acting on Dreams: the state of immigrant rights, conditions, and advocacy in the United States,” curated by Yaelle Amir. Invited guest curators and co-curators have included: Claire Barliant, Rebecca Cleman, Taliesin Gilkes-Bower, Amy Lipton, Katie Vida, Jess Wilcox, and Stephen Zacks.
To propose a group, thematic exhibition, please send a written overview, including a 200 – 500 word description and a list of proposed artists. The artist list does not need to be finalized, but should include the names of 4 -10 artists you are considering with any relevant images or links to their work. Guest curators are asked to brainstorm exhibition programming for their shows as well, consequently, any notes about possible public programs are welcome as part of the proposal. People from any field are welcome to propose exhibitions, but folks who have a working understanding of what is involved in putting an exhibition together will be given priority. Exhibitions that do not include the curator’s own artwork (if the curator is also an artist) will also be given priority.
Franklin Street Works will provide an $11,000 exhibition budget, which needs to cover all aspects of the show. In addition to the exhibition budget, there is a $1000 budget for programs (ideally at least two programs, such as talk, tour or performance, will accompany show). In addition to the above, guest curators receive a $1,000 honorarium for curating, $200 for a program (such as exhibition walkthrough), and $300 for writing the exhibition essay. The Franklin Street Works team assists with administrative tasks such as loan forms, shipping arrangements and gallery handouts. We also assist with installation support. The space owns a good deal of A/V equipment, including 5 projectors, media players, DVD players, speakers, seven flat screens, a mac mini, and several CRT televisions – a full list is available upon request.
Proposals are Due on September 30 by 5:00 pm.
Please send proposals, images and/or artist links as well as a current CV to creative director Terri C Smith at email@example.com
SUBJECT LINE SHOULD READ “2017 Exhibition Submission”
Questions or want more information on the space, existing A/V or supports? Email Terri at firstname.lastname@example.org.
ADDENDUM: Guest Curator Guide
This document gives a rough outline of the professional and financial support Franklin Street Works provides guest curators and articulates the responsibility of guest curators with approximate lead times.
Franklin Street Works Provides
Exhibition Budget: $11,000
Program Budget: $1000 (for 2-3 programs)
Curator Honoraria: $1000 for curating, $300 for essay, $200 to lead a talk or tour.
TOTAL BUDGET: $13,500
– Write and send loan forms
– Arrange shipping (shipping costs come out of $13,000 budget) — usually a combination of NYC art truck and FedEx, note budget does not allow for art trucks from other locations, in most cases, fedex must be used for shipments from other cities.
– Create Checklist (with information provided by curator, artists and galleries)
– Format and produce labels for individual works
– Format and produce vinyl wall signage
– Create Google doc where confirmed artists and works are entered. This document is filled in by the curator and FSW team as artists and works are confirmed. It serves as the information source for loan forms, checklist and labels.
– Gather artist biographies
Work with graphic designer to brand show in collaboration with curator
Design and print gallery program
Create, print and mail printed card
Create press release (in concert with curator)
Send press releases to FSW press list
Create digital invitation (send to list of 1600 via mailchimp)
Social media outreach: FB,Instagram
Create flyer for local colleges and universities
Organize dates for programs with artists/presenters
Market programs: write press releases (to be approved by artist(s) and curator), FB event, post on social media, send press release out, post to website
Setup and teardown
INSTALL: Franklin Street Works arranges and facilitates install with the help of professional art handlers. Curators are responsible for proposing locations for artworks, but artists and curators are NOT responsible for hanging work, painting walls etc. unless the artist requests to install work or requests their assistant and/or gallery person to install.
INITIAL EXHIBITION PROPOSAL: Due 10 months prior to exhibition
This is a largely in-house document, but information will be used to communicate with possible partners/funders. Artist list does not need to be final at this point, but example artists are helpful.
UPDATED EXHIBITION PROPOSAL and TITLE: Due 4-6 months prior to exhibition
The exhibition description can change some/be tweaked and artists can be added after this. For use in creating description for website, fundraising, and calendar listings.
BRAINSTORM EXHIBITION PROGRAMMING WITH STAFF: 3 – 4 months prior
TWO – FOUR EDUCATIONAL PROGRAMS CONFIRMED: 3 months prior
DRAFT OF TEXT TO REFERENCE FOR PRESS RELEASE and TO UPDATE WEBSITE DESCRIPTION: 3 months prior
This should have final description and full artist list if possible.
FINAL CHECKLIST: 2 months prior
This does not need to be formatted (FSW will do this), as a team we need to make sure all of pertinent information (artist, title, date, medium, dimensions, and courtesy line) is entered in the google doc sheet by this time.
ESSAY(s) DRAFT AND INTRO FOR GALLERY PROGRAM: 1 month prior, sometimes creative director writes intro, this is up to the curator.
FINAL ESSAY(s), INTRO GALLERY PROGRAM, INTRO WALL TEXT (VINYL): 3 weeks prior
ALL PROGRAMMING CONFIRMED: 6 weeks prior (in concert with FSW)
INSTALLATION: 1.5 weeks prior to opening
Ideally the curator can come for the first couple of days of install, but if budget or schedule doesn’t allow, we have successfully arranged show virtually via floor plans, photos, skyping, etc.
Ideally the curator attends the reception and gives a tour at the opening.